An examination of the strategic logic of nonviolent resistance in Fela's Afrobeat
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Abstract
This study explores Fela Anikulapo Kuti, arguably Africa’s most iconic resistant artist of the twentieth century by analysing the strategic logic of Nonviolence in his responses to numerous violent attacks by the repressive and oppressive regimes of the post independent Africa, nay Nigeria. Using the conceptual tool of music as social process and philosophical tool of critical and constructive analysis, the study combines documentary data in Fela’s Afrobeat and Key Informant Interview, in order to demonstrate the strategic logic of nonviolence in conflict engagement and transformation in Fela. The study argues that Afrobeat is a musical philosophy shaped by disregard for human rights and gross irresponsibility on the part of government that have manifested in Africa/Nigeria’s underdevelopment since the Union Jack was lowered in 1960s. The study avers that chose to be part of politics of revolution by using his music to exude protest and persuasion, non-cooperation and intervention against injustice that has created the many problems of man and social reality. The study concludes that Fela won against the oppressed post-colonial African leaders as he was the public conscience of the oppressed Africans who have continued to win despite being repressed.
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