Open Access Peer-reviewed Research Article

Community Development and Cultural Cohesion in the Levites Choir Ibadan’s Joyful Harvest Hymn Concert

Main Article Content

Samson Oladosu Ebe corresponding author

Abstract

In African church traditions, hymns are more than liturgical accompaniments; they serve as cultural texts that preserve indigenous languages, transmit moral values, and foster collective identity. Their melodic and theological accessibility often transcends denominational boundaries, making them potent tools for cultivating social cohesion in diverse communities. Within Nigeria’s vibrant religious landscape, hymn-centered gatherings provide a unique lens through which to examine how faith-based artistic expressions contribute to community development. This paper explores these dynamics through the case of the Levites Choir Ibadan’s fifth Concert of Hymns, Joyful Harvest. Using participant observation, informal interviews with choir members and attendees, and thematic analysis of the event’s repertoire and organization, the study investigates how a community hymn concert promotes cultural cohesion and stimulates local initiatives. Findings reveal that the concert drew participants from multiple Christian denominations and featured collaborative performances, including a presentation by the Vale College Children’s Choir. The use of indigenous languages in well-known hymns created a shared cultural atmosphere that transcended denominational divides. Beyond the aesthetic dimension, the concert mobilized resources through a fundraising effort to purchase a new keyboard for the group, demonstrating how communal artistry can translate into tangible developmental outcomes. The paper concludes that such faith-based musical gatherings strengthen cultural cohesion, nurture interdenominational networks, and provide a model of community engagement that can inform broader conversations on collaborative development within diverse societies.

Keywords
community development, cultural cohesion, hymn concerts, African church music, choral performance

Article Details

Author Biography

Samson Oladosu Ebe, Department of Performing Arts, Music and Film Studies, Lead City University, Ibadan, Nigeria

Dr. Samson Oladosu Ebe is a Lecturer I in the Department of Performing Arts, Music and Film Studies at Lead City University, Ibadan, Nigeria. He holds a PhD in Performing Arts (Music), with a specialization in African choral music performance. His research interests focus on African choral traditions, performance analysis, digitally mediated music practices, and the role of music in cultural identity and religious expression. Dr. Ebe has presented papers at national and international conferences and has published in peer-reviewed journals and edited volumes. He is a member of the Society of Nigeria Theatre Artists (SONTA) and the Association of Nigerian Musicologists (ANIM).

How to Cite
Ebe, S. O. (2026). Community Development and Cultural Cohesion in the Levites Choir Ibadan’s Joyful Harvest Hymn Concert. International Journal of Arts and Humanities, 7(1), 478-486. https://doi.org/10.25082/IJAH.2026.01.008

References

  1. Ajose, T. S. (2025). Liturgical traditions and transitions: Congregational hymn singing in Nigerian Pentecostal churches. Journal of the Association of Nigerian Musicologists, 19(1), 138–160. https://doi.org/10.4314/janm.v19i1.9
  2. Auda, S. O. (2021). “Toward the Indigenization/Acculturation of Christian Hymnody in the 21st Century Local Church in Africa: A Case of the Hymns of the Yoruba people of Nigeria”. Asia-Africa Journal of Mission and Ministry, 23, 148–155. https://doi.org/10.21806/aamm.2021.23.08
  3. Boaheng, I. (2021). Exploring the Theology of Selected Hymns: Towards an African Christian Theology of Mission. E-Journal of Music Research, 1–14. Portico. https://doi.org/10.38159/ejomur.2021211
  4. Bourdieu, P. (1986). The force of law: Toward a sociology of the juridical field. Hastings LJ, 38, 805.
  5. Fisher, H. J. (1970). Independency and Islam: The Nigerian Aladuras and some Muslim Comparisons. The Journal of African History, 11(2), 269–277. https://doi.org/10.1017/s0021853700009993
  6. Haggar, S. (2024). Communitas revisited: Victor Turner and the transformation of a concept. Anthropological Theory, 25(3), 313–337. https://doi.org/10.1177/14634996241282143
  7. Impey, A. (2005). Kofi Agawu, Representing African Music: Postcolonial Notes, Queries, Positions (New York and London: Routledge, 2003), ISBN 0415943892 (hb), 01415943906 (pb). Twentieth-Century Music, 2(1), 146–150. https://doi.org/10.1017/s1478572205230220
  8. Korczynski, M. (2014). Songs of the Factory. https://doi.org/10.7591/cornell/9780801451546.001.0001
  9. Odunuga, A. F. (2013). Preventing socio-political conflicts and building peace block: The role of music. Mediterranean Journal of Social Sciences, 4(2), 703-708.
  10. Olajide, O. E. (2013). Bridging, Bonding, and Linking Social Capital for Community Action: A Case of Atisbo Development Union in Atisbo Local Government Area of Oyo State, Nigeria. Ibadan Journal of the Social Sciences, 11(1). Internet Archive. https://doi.org/10.36108/ijss/3102.11.0160
  11. Owoaje, T., & Adegbola, T. (2022). Song Melody and Speech Tone Conflict in Translated Yoruba Christian Hymns. Yoruba Studies Review, 7(1), 1–18. https://doi.org/10.32473/ysr.v7i1.131447
  12. Perkins, D. D., Hughey, J., & Speer, P. W. (2002). Community Psychology Perspectives on Social Capital Theory and Community Development Practice. Journal of the Community Development Society, 33(1), 33–52. https://doi.org/10.1080/15575330209490141
  13. Putnam, R. D. (2000). Bowling alone: America’s declining social capital. In Culture and politics: A reader (pp. 223-234). New York: Palgrave Macmillan US.
  14. Salman, D., & Sanu Hamet, E. B. (2024). The Value of Religious Social Capital in the Republic of Niger and Nigeria: A Sociological and Historical Perspective. Akdeniz Havzası Ve Afrika Medeniyetleri Dergisi. https://doi.org/10.54132/akaf.1579969
  15. Small, C. (1999). Musicking — the meanings of performing and listening. A lecture. Music Education Research, 1(1), 9–22. https://doi.org/10.1080/1461380990010102
  16. Tchombe, T. M. S. (2024). Sustainability and inclusion from African perspectives. Journal of the Cameroon Academy of Sciences, 20(3), 307–324. https://doi.org/10.4314/jcas.v20i3.8
  17. Turner, V. (1969). The ritual process: Structure and anti-structure. Aldine Publishing.
  18. Turino, T. (2008). Music as social life: The politics of participation. University of Chicago Press.